Transy students showcased in “State of Fine Art” exhibition
Senior art majors Samara Lyons, Sonora Schuck and Sarah Schaaf are representing Transylvania in the “State of Fine Art ” exhibition at Georgetown College.
1780 – The Official Blog of Transylvania University
Senior art majors Samara Lyons, Sonora Schuck and Sarah Schaaf are representing Transylvania in the “State of Fine Art ” exhibition at Georgetown College.
Sarah Schaaf ’19 has been refining and developing her talents in both music and art over the past four years.
Transylvania University Theater will introduce Lexington to award-winning playwright and Mellon Foundation recipient Carlos Murillo.
Transylvania’s theater season kicks off Nov. 1 with an irreverent, contemporary, and very funny remix of Chekhov’s The Seagull by playwright Aaron Posner.
LEXINGTON, Ky.– Transylvania University’s 2018-19 theater season will feature four productions—from the contemporary to Shakespeare—under the leadership of Tosha Fowler, the new Lucille C. Little Chair of Theater and program director. All productions will be in Little Theater and are free to the public thanks to the generous support of the Dixon-White Fund. Transylvania Theater will benefit from Fowler’s extensive professional career in theater as an actor, director, producer, teacher and playwright in both Chicago and Atlanta. Hailed as the “fearless leader” of her founding company, Cor Theatre, she was named “One of the Top People Who Really Perform” by Newcity Chicago. Additionally, Fowler has taught at The Theatre School at DePaul University, Kent State University, Green Shirt Studios and Georgia Southern University. “I could not be more excited to join the Transy faculty and to work with the Lexington theater community,” Fowler said. “It is an exciting time to create theater in this thriving city, and I am ready to get to work. I plan on collaborating with local talent and bring in colleagues from across the country to enrich the Transylvania Theater experience.” From Nov. 1-10, Fowler will direct a production of “Stupid F—ing Bird,” a heartfelt, irreverent remix of Chekhov’s “The Seagull” by Aaron Posner. Featuring an ensemble of writers, actors and those who choose to watch, it will tickle, tantalize and incite the audience to consider how art, love and revolution fuel the pursuit of happiness. On
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